Opinion
What I'd Buy: Power Amplifiers
Along with loudspeakers, power amplifiers have always represented the largest financial investments I’ve made in my audio system. It’s been my experience that I shouldn’t skimp on amplification, and that once I find a great power amp, it’s easy to stick with it over the long term. (Though whether any audiophile, including myself, actually does so is another subject altogether.) A great amp today will still be a great amp ten years from now.
I believe this is so because so much of an amplifier’s cost has to do with hardware. Huge power supplies and massive heatsinks have always been relatively expensive, and unlike digital source components, the technologies involved in the design and manufacture of tubed or solid-state amps don’t change rapidly, the advent of class-D designs notwithstanding.
This series of articles is titled “What I’d Buy” -- these lists I compile are, by definition, limited to the types of products I like enough to pay for with my own money. Therefore, entire swaths of the marketplace will be left undiscussed simply because I have no knowledge of or interest in them. This month, that means you’ll find no tube amps here. Through the years, I’ve admired many tube amps at shows and dealers and while visiting manufacturers, but I’ve always been more drawn to really good solid-state gear; that’s where I’ve spent my money, and that’s the area in which I’ve built my expertise. We have other writers who can advise you about tubes.
What I'd Buy: Integrated Amplifiers
Many, if not most, recent reviews of integrated amplifiers in the audiophile press begin by telling you two things: 1) that the integrated was once looked down on by multibox-craving audiophiles, but is now accepted as a real high-end component; and 2) the integrated’s single-chassis design has some advantages over separates -- e.g., at least one fewer pair of interconnects, and shorter internal signal paths.
The latest fact in the evolution of the integrated amplifier is that many models also include a digital section, typically a USB digital-to-analog converter, which either comes standard or as an option. These built-in DACs make for a greatly simplified system: add a pair of speakers and a computer-based source such a laptop or Mac Mini, wire it all up, and off you go.
What I’d Buy: Digital Source Components
Not a week goes by that I don’t hear an audiophile complain about the “audio dealer situation” in his or her area. The story is always the same: There’s nowhere to hear a particular model, or the ones that compete against it. More and more, audiophiles face an hours-long road trip -- or, more likely, two or three such trips -- or even air travel, for what amounts to a three-day investment of time. Who has time and money for all that? This is a hobby.
What I see more and more of are e-mails asking what I would buy if I were in the e-mailer’s shoes. I happily give my advice, often with the disclaimer “Go hear it for yourself” -- even though I know full well that if they could go hear it for themselves, they probably wouldn’t be contacting me!
The Eight Things You Need to Know from CES 2013
This year’s Consumer Electronics Show seemed a tad subdued. Most people blamed the new Tuesday-through-Thursday schedule, which replaced the traditional long weekend -- after all, many industry professionals have retail jobs. Nonetheless, there were a hardy number of new products at CES 2013, and we covered them in detail in our SoundStage! Global show report.
CES 2013 revealed some things that transcend any single product introduction. Here are the eight you must know about -- not only if you plan to shop for a component any time soon, but even if you just enjoy keeping up with industry doings.
More Articles...
- The Companies and Products Revolutionizing High-End Audio
- Music Vault 2.0 and the Value of a Reference Listening Room
- The Right Tool for the Job
- The Super-High-Value Products I’d Buy Today
- The Super Products I’d Buy Today
- Objectivist or Subjectivist? Give Me a Break
- My Audio Education at Rockport Technologies
- Quo Vadis TWBAS?
- TWBAS 2012: Commitment, Passion, Camaraderie
- TWBAS 2012 Is Over
- TWBAS 2012: Why I Chose These Components
- TWBAS 2012: From the Beginning
- TWBAS 2012 and Super Speakers: Get Ready for Action
- Covert TWBAS Report: The Politics of Super Systems
- Jeff Was Right, Jeff Was Wrong
- Blowin’ the Vault
- Talking Points: What Politics and High-End Audio Reviews Have in Common
- TWBAS 2012: The Selection Process Begins
- Benchmark Systems, Part Five: The Beauty of Music
- When Your Reference Isn’t a Reference
- Super Speakers: Postscript
- Power of the Past: Reliving the Krell FPB 600 and Threshold SA/12e Amplifiers
- Benchmark Systems, Part Four: The $30,000 Resolution Monster
- Benchmark Systems, Part Three: The $5000 Full-Ranger
- Establishing Benchmarks, Part Two: Price Points and System Models
- Establishing Benchmarks, Part One: Systems
- Comparisons on Paper: B&W 803 Diamond vs. Tidal Contriva Diacera SE
- Do You Always Get What You Pay For?
- Why Some Audiophiles Fear Measurements
- Setting Up a Reviewer’s Audio System
- Exploding Two Myths, Confirming Two Suspicions
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