Heavenly Recordings HVNLP198
Format: LP
Musical Performance: ****½
Sound Quality: ***½
Overall Enjoyment: ****
H. Hawkline is the pseudonym of Welsh singer-songwriter Huw Evans. In 2010, Evans released his first album as H. Hawkline, A Cup of Salt, and followed it a year later with The Strange Uses of Ox Gall. Both albums were slightly eccentric and DIY in feel and showed a wide range of songwriting interests and instrumental skills. Evans’s guitar playing had hints of country blues and Welsh folk music, and his songwriting embraced everything from ’60s folk rock to psychedelia.
Sears and Realistic
I got hooked on audio gear at an early age. The first stereo system I owned—I was about 12 years old at the time—was an AM/FM receiver with a built-in cassette deck and record player, purchased from Sears, Roebuck and Co. The set came with a pair of lightweight bookshelf speakers that were wafer thin with nonremovable brown grilles. I hooked up the system on Christmas morning and was absolutely thrilled with what I’d received.
I can recall every stereo system I’ve owned over almost four decades of being in the hobby. The first few decades were spent on the seemingly endless ascent to what I thought was audio nirvana. As many have come to learn, it’s not necessary, or in some cases even wise, to attempt the climb. I’ve made some of the mistakes that audiophiles often make. I’ve fitted the wrong speakers to the wrong rooms. I’ve underpowered my system. I’ve shortchanged the source component. I’ve also paired products that I’ve liked on their own that had little sonic synergy when used together. That’s just to name a few.
Kharma is a brand I’ve admired for a very long time. I first read about their successful Ceramique line of loudspeakers back in the late 1990s, which—as you may have guessed from the name—featured their signature ceramic midrange driver. Way back in the mid-1980s, the pioneering Dutch firm was the first audio company to employ ceramic drivers. And in more recent years, I’ve seen and heard their offerings at trade shows, like Munich’s High End, and appreciated their distinctive designs and fastidious attention to detail.
Right from the very first audio-industry show I attended with SoundStage!, the 2001 Son et Image show in Montreal (now called Montreal Audiofest), I found myself extremely dissatisfied with the music at these events, both in terms of what exhibitors would play and showgoers would request. How can you possibly gauge a system by listening to a solo flute? And why would anyone wish to inflict it on a room full of strangers?
Craft Recordings / Contemporary Records CR00382
Format: LP
Musical Performance: *****
Sound Quality: ****
Overall Enjoyment: ****½
Art Pepper was one of the great saxophonists in jazz and among the most troubled—which is saying a lot. It’s a crowded field. Pepper struggled with drug addiction and did several stints in jail in the ’50s and ’60s. His memoir, Straight Life (1979), which he cowrote with his third wife, Laurie, is a harrowing story of his life in jazz. After reading it, I was amazed that Pepper had been able to make so many good records and be such a force in music.
The first part of the Naim Audio series focused on my introduction to the brand and the launch of the New Classic series of components. This part will focus on my visit to Naim.
On January 15 we took a deep dive into the initial construction phases of the Vitus Audio SIA-030 integrated amplifier ($46,200, all prices USD). In that article we looked at the transformer, the internal plate that the power-supply components are mounted on, the heatsinks and output stage, the input module, the rear plate (complete with input and output connectors), and the internal section of the faceplate. These individual modules are all tested on completion and their addition to the product follows a precise order to ensure that the final stages of manufacture can be accomplished efficiently.
It seems incredible that vinyl officially overtook the CD as the leading music-hardware format in the US for new releases in 2021. And vinyl accounted for one in four album sales in the UK, the highest proportion since 1990! Del Amitri’s fifth album, Some Other Sucker’s Parade, barely sold any copies on vinyl when it was released in June 1997; like most people, I purchased my copy on CD. The record has never been reissued on vinyl, so analog enthusiasts are now paying over $300 (all prices in USD) for a secondhand copy. This is no isolated example; a huge proportion of titles remain out of print, forcing enthusiasts to track down secondhand copies.
Jazz Is Dead Records JID015
Format: LP
Musical Performance: ****
Sound Quality: ***½
Overall Enjoyment: ***½
In 2017 Ali Shaheed Muhammad, formerly of A Tribe Called Quest, and composer/producer Adrian Younge launched a jazz concert series in Los Angeles, California. The series was titled Jazz Is Dead, and in 2020 they established a record label under the same name. Muhammad and Younge began recording music featuring jazz musicians, many of whose recordings had been sampled over the years on R&B and hip-hop tunes. In just three years, Jazz Is Dead has released 15 albums; an impressive accomplishment considering that Muhammad and Younge produce and play on all of them.
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