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Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.
Founded in 2020, Perlisten Audio is a relatively new entrant on the high-end audio scene. The firm was established by a team of industry veterans with the goal of manufacturing high-performing loudspeaker systems to rival the best at their price points. The first model was the S7t, a tall, four-way loudspeaker which utilizes several relatively small bass drivers to deliver satisfying bass extension in a slender design. Priced at around $20,000 per pair (all prices in USD), the S7t distinguished itself sufficiently well from the surrounding mass of competing designs to win several audio awards. From there, the firm has expanded its range to offer a wider range of options.
My father and his parents—my grandparents (obviously)—were kind, generous, inoffensive people. They wouldn’t say shit if they had a mouth full of it.
We’re on an analog roll here at SoundStage! Ultra. In the past couple of months, we’ve reviewed the Thales TTT-Compact II turntable system and the matching X-quisite Voro cartridge, the Musical Fidelity M8xTT and Vertere Acoustics MG-1 turntables, and the Audio-Technica AT-ART20 cartridge. I’ve kept up the pace with the first installment of my VPI Prime Signature tonearm upgrade path and thrown in some analog love from European Audio Team.
In 2023 I visited Vertere Acoustics, a small London-based manufacturer of turntables and related products. The company was founded in 2006 by mechanical engineer and turntable designer Touraj Moghaddam after he separated from Roksan, a company he had cofounded some 20 years earlier. Roksan achieved early success with Moghaddam’s first turntable design, the Xerxes, which is still in production, after many iterations, and is still highly regarded.
The Swiss know how to make high-quality, compact machines. They own the high-end automatic watch market, right? Every year, a Swiss manufacturer like Audemars Piguet brings out a new complication—movement—that contains even more parts, does more crazy computations, that never needs resetting for leap years, the orbit of Neptune, Easter, all that stuff. I own an Omega Speedmaster watch, and it doesn’t do any real tricks. It’s a NASA-approved chronograph, so I can time my steaks superbly to ensure they’re medium rare every time, but other than that, all it does is tell the time with great accuracy. I have seen this watch with the back cover removed, and there’s a whole world in there—gears, levers, springs—all manufactured with insane precision. Switzerland is the land of miniaturization.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
The NAP 350 is the third and final component of Naim Audio’s 300 series to be evaluated here on SoundStage! Ultra.
Naim has an illustrious history of amplifier manufacture, but the vast majority of its power amplifiers to date have been stereo designs. Perhaps the firm’s most famous mono power amplifier was the legendary NAP 135, which first emerged in 1984 and became established as a more powerful alternative to the stereo NAP 250. In active guise, a sextet of NAP 135s could be assembled into a magnificent “six-pack” active system to drive three-way speakers such as Naim’s cavernous DBL.
Design and development
In 1962, when The Beatles were raising the roof at Liverpool’s Cavern Club, Hideo Matsushita founded Audio-Technica in a small apartment in Japan. His first product, the AT-1 phono cartridge, received a warm reception and was quickly followed by the AT-3 and AT-5 moving-magnet designs. By the 1970s, Audio-Technica was the biggest manufacturer of phono cartridges in the world. With the advent of digital audio and the CD, the firm diversified into headphones and microphones, fearing the impending decline of vinyl. While vinyl sales did indeed fall, the firm continued producing an array of cartridges to suit all budgets. The resurrection of vinyl from its 1990s nadir has enabled A-T to continue to innovate and to grow its cartridge-manufacturing operation.
This wasn’t how a review process normally starts. I’d just received the Thales TTT-Compact II turntable for review and was rolling up my sleeves to dig right into this fascinating product. According to Wynn Wong, the Canadian distributor, the Thales ships to the dealer, and thus the customer, as a ready-to-go package, complete with their Simplicity II tonearm and—this is what threw me—the X-quisite Voro cartridge.
I have a sweet tooth when it comes to turntables, but I’m not stuck on one type of confection. I’m an equal-opportunity fetishist. I love turntables made from solid steel, real wood, MDF painted to look like wood. Piano lacquer, matte paint, or—gasp—clear acrylic.
Technology and design
The Naim NAC 332 is the second component in the new Naim 300 range to be reviewed on SoundStage! Ultra. The 300 series is only the fourth generation of Naim amplification to be launched since the firm’s inception in 1973. Priced at $10,999 (all prices in USD), the NAC 332 preamp sits in the middle of Naim’s hi-fi separates series, above the new 200-series NSC 222 streaming preamplifier ($8999) and below the existing NAC 552 preamplifier ($32,000), which will continue in production unchanged, save for switching to white front-panel illumination. In effect, the NAC 332 replaces both the discontinued NAC 282 and NAC 252 preamplifiers with a single unit. It’s all part of a simplification strategy that’s admirable, not least because the NAC 332 is priced only slightly above the NAC 282 (currently retailing at $8599) and below the recently discontinued NAC 252 ($12,599).