Last month I came across a fascinating article in Brain Pickings, a weekly neuroscience newsletter: In “The Psychology of What Makes a Great Story,” writer and blogger extraordinaire Maria Popova shared insights from the eminent Harvard psychologist Jerome Bruner about what makes a great story. I think Bruner’s ideas and Popova’s enriching discussion can be used to understand what makes for a great audio cable.
Has this happened to you? You go to sleep on Friday night with a potential audio purchase on your mind -- as you drift off, you find yourself comparing two products. Then, the first thing you think of on waking Saturday morning are those two shiny new speakers you were thinking about the night before. The natural thing to do -- after making a cup of coffee -- is to get online and pore over the details of the models you’re enamored with. This exercise is especially common for audiophiles. Yes, we do the same thing with cars, but usually it’s relatively convenient to stop by the dealer to have a look, and maybe take a test drive. For audiophiles, that’s often not feasible -- unless you live in a big city that still has high-end audio dealers inhabiting actual buildings.
In high-end audio, price is always relevant -- except when it isn’t. I’ve waffled so often on this subject that sometimes I’m no longer sure where I stand. A case in point: the Soulution 560 digital-to-analog converter, which retails for $35,000 USD.
On one hand, no DAC should cost $35,000. Taking into account any reasonable ratio of manufacturing cost to retail price, I have a hard time understanding how any DAC maker can justify that sort of price. A super-high-end DAC is maybe 50 pounds’ worth of parts, including a nicely machined and finished case. For that kind of money, you can buy a couple of 200-plus-pound high-tech speakers -- 400 pounds of stuff should cost more than 50 pounds of stuff. After all, both represent high-end stuff. Besides, there are a number of terrific DACs available for less than five grand, and with much of the functionality of the Soulution 560. Wadia Digital’s di322 is a great DAC for $3500 -- precisely one-tenth the Soulution 560’s price.
Alligator ALCD 4968
Format: CD
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Between 1927 and 1930, Blind Willie Johnson (1902-1947) recorded 30 sides for Columbia Records. In 1993, Columbia/Legacy reissued as The Complete Blind Willie Johnson, on two CDs. Sam Charters wrote the liner notes to the set, and he opens his lengthy essay by telling the reader that one of his most cherished possessions is “a charred bit of wood [that] is the bridge to Willie Johnson’s guitar.”
Over the last 18 years, Synergistic Research has introduced five generations of its Active Shielded signal cables, interconnects, and power cords. The company claims that applying a 30V DC bias to the cables’ shield isolates the signal from the dielectric, thus reducing phase and time distortions and improving sound quality.
More recently, Synergistic has applied this active technology to other audio products, including its PowerCell power conditioners, Tranquility Base component platforms, and Atmosphere and Frequency Equalizer (FEQ) room wave generators. In fact, Synergistic is now best known for its ever-broadening implementation of its Active Shielding technology.
I’d say that, month after month, 90% of the correspondence I receive from readers of SoundStage! Ultra asks, in some way or other, the same question: What should I buy? I’m not alone -- look at the letters addressed to publisher Doug Schneider over on SoundStage! Hi-Fi, or to Hans Wetzel at SoundStage! Access. What amp will drive these speakers? Assuming I can get them at the same price, should I buy component A or component B? Which product will sound better in my room? And so on.
The NADAC ST-2 is Swiss-company Merging Technologies’ first foray into consumer electronics. However, Merging Technologies is hardly a newbie -- their reputation in professional audio is that of legend.
Merging Technologies was founded 25 years ago by Claude Cellier, who’d previously worked with electronics maker Nagra, another Swiss company with a rich history in pro audio -- namely in various types of recorders -- that then ventured into high-end home audio. Though probably best known for their Pyramix professional audio workstation, Merging has recently ventured far into networked audio interfaces with their Horus and Hapi products. It was the experience gained in designing the Horus and Hapi models that convinced Merging to launch the two-channel Networked Attached Digital-to-Analog Converter (NADAC) ST-2; an eight-channel version, the NADAC MC-8, is also available.
Blue Note Records B002427702
Format: CD
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Saxophonist Charles Lloyd has played in a number of unique lineups, including an early stint as music director for drummer Chico Hamilton’s group in 1960, which included the Hungarian guitarist Gábor Szabó. Szabó’s distinctive style employed single-note runs that showed a rock influence and he often used open strings to create a drone effect. Bill Frisell has mentioned him as an influence, and Frisell is one of the guitarists in the Marvels. Steel guitarist Greg Leisz is the other, and together with the rest of Lloyd’s new group they create haunting, often ethereal music that embraces blues and country while retaining the complexity of jazz.
Last summer, I got a call from Eric Pheils, North American distributor for Zanden Audio Systems. He proposed driving up from San Francisco, where he was staying, to my place in Oregon. “Great!” I said. “What electronics are you going to bring?” He hedged. Turned out he didn’t have an amp or preamp with him this time, but was eager to show me some new sound treatments -- acoustic tubes and panels -- developed by Kazutoshi Yamada, president of Zanden.
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