When it comes to the Cowboy Junkies’ The Trinity Session, I just can’t help myself. A new version comes up for sale and I reach for my wallet. I’m like a dog with a stick -- I have to chase it.
If you’re reading this column, there’s a good chance you identify as an audiophile. I’m with you -- I grudgingly apply that label to myself. But along with all the glory of having a smokin’ system on which to listen to music comes some baggage.
Welcome to the world of the analog LP. In case you weren’t aware, there’re whole catalogs full of stuff for record collectors that you never knew you needed. It’s the same in any hobby. Fishing, shooting, stamp collecting -- for any pastime you can shake a stick at, cool gear and bits and pieces abound. Companies throw accessories at it and hope some of them stick.
It’s embarrassing for me to admit this, but adversity builds character: This year will mark my first participation in Record Store Day. There. I said it. While the idea of dragging buyers back to bricks-and-mortar stores to buy records, find community, and actually look each other in the eye is, in every respect, a great idea, and one that should be championed by all fans of vinyl, with me the concept has fallen flat. I’ve never been fond of crowds, and this event always made me think I’d have to line up in hopes of getting any of those limited editions.
This morning, I polished my turntable with Speed Wax, from Tirox, which makes cleaning and maintenance products for motorcycles. Speed Wax smells like vanilla and, when buffed off with a microfiber cloth, leaves a wonderful, streak-free shine.
Yes, I polish my turntable. I’m proud of the thing. I smile at it. We understand each other.
It is with intense pleasure that I find myself writing this introduction to the inaugural installment of “For the Record,” a bimonthly column in which I’ll share with you my love of all things vinyl. I’m hoping that -- as a reader of the SoundStage! magazines -- you’re familiar with at least a few of my reviews. As of 2017, I’ve reviewed audio products for SoundStage! for 16 years, and the subjects of a good portion of those reviews have been analog products. And for 40 years now I’ve owned a turntable of some sort, and for nearly all that time have played LPs.
The first part of the Naim Audio series focused on my introduction to the brand and the launch of the New Classic series of components. This part will focus on my visit to Naim.
Do you remember your first system? Throughout our lives as audiophiles, there are certain key moments that define that particular sound we all chase in our heads.
This profile of Perlisten CEO Dan Roemer is intended as a precursor to the review of Perlisten’s R7t loudspeaker, which will be published on July 15.
On January 17, 1982, the very first Michell GyroDec turntable, serial number 001, rolled off the Michell Engineering production line in Borehamwood, England, and was shipped to Anglia Audio of Bury St. Edmunds, Suffolk. Nothing quite like it had ever been seen before—it was breathtakingly beautiful, but more importantly, it rewrote the rule book for all time on how to extract maximum information from a vinyl record.